無銘の窓
屋外で都市の風景を撮っているとき、ビルの中に人影が見えることがある。その人影は特別誰であるかはわからない、だが建築物が作り出す整然とした都市の姿と、その人影の作り出すその瞬間のギャップに面白さを感じ写真として集め始めた。
それらの写真は都市の公的な場の整然性／持続性と、私的な場のランダム性／断続性の境界面が写真という2次元の表現形式によって明らかになる。
都市は整然としている、ただしそれの住人たちは日々生活しゆらぎを作っている。
Nameless Window
When I take a landscape of a city outdoors, a figure may be visible in a building. I do not know who it is.
I begin take photos because I am interesting in the contrast orderly city that the building creates and that moment that that figure creates. These photographs reveal the boundary surface between the orderly / sustainability of the public places of cities and the randomness / intermittency of private places by the two-dimensional representation form of photographs.
The cities are in order, though their inhabitants live their lives every day and make fluctuations.
I begin take photos because I am interesting in the contrast orderly city that the building creates and that moment that that figure creates. These photographs reveal the boundary surface between the orderly / sustainability of the public places of cities and the randomness / intermittency of private places by the two-dimensional representation form of photographs.
The cities are in order, though their inhabitants live their lives every day and make fluctuations.
